Palladino Ciro
E’ nato a Torre del Greco. Ha frequentato l’Istituto Statale d’Arte di Torre del Greco e per qualche anno il corso di scenografia del prof. Stefanucci presso l’Accademia di Belle Arti di Napoli. Da giovanissimo si muove nell’ambito dell’ Anacronismo per poi approdare, nel corso degli anni, ad una personale dimensione pittorica che lo vede indagare un mondo dagli aspetti misteriosi ed enigmatici.
Numerose sono le esposizioni, tra personali e mostre di gruppo. Nel 1985 con la personale presso il centro d’arredamento contemporaneo “Miceli”, presentato dagli architetti Pagliata e Mendini, riesce a suscitare grande interesse anche da parte di operatori noti nel campo del design. Successivamente, ha collaborato per oltre dieci anni con il centro di design Falconio di Napoli. Vive e lavora a Torre del Greco.
Opere
130 x 95
130 x 95
Memorie Sommerse
Memorie Sommerse
Memorie Sommerse
Memorie Sommerse
Memorie Sommerse
Memorie Sommerse
Memorie Sommerse
Memorie Sommerse
Memorie Sommerse
Memorie Sommerse
Memorie Sommerse
Memorie Sommerse
45 x 28
50 x 100
Design in Details
In design, we bring characteristics of the natural world into built spaces, such as water, greenery, and natural light, or elements like wood and stone. Encouraging the use of natural systems and processes in design allows for exposure to nature, and in turn, these design approaches improve health and wellbeing. There are a number of possible benefits, including reduced heart rate variability and pulse rates, decreased blood pressure, and increased activity in our nervous systems, to name a few.
Over time, our connections to the natural world diverged in parallel with technological developments. Advances in the 19th and 20th centuries fundamentally changed how people interact with nature. Sheltered from the elements, we spent more and more time indoors. Today, the majority of people spend almost 80-90% of their time indoors, moving between their homes and workplaces. As interior designers embrace biophilia.
Incredible Result
Establishing multi-sensory experiences, we can design interiors that resonate across ages and demographics. These rooms and spaces connects us to nature as a proven way to inspire us, boost our productivity, and create greater well-being. Beyond these benefits, by reducing stress and enhancing creativity, we can also expedite healing. In our increasingly urbanized cities, biophilia advocates a more humanistic approach to design. The result is biophilic interiors that celebrate how we live, work and learn with nature. The term translates to ‘the love of living things’ in ancient Greek (philia = the love of / inclination towards), and was used by German-born American psychoanalyst Erich Fromm in The Anatomy of Human Destru ctiveness (1973).
